Tuesday, October 13, 2020

For Readers of this blog:  Free E- Book version of "Phool Patti Ka Kaam" 

Phool-patti embroidery dates back to the Mughal period. Its uniqueness lies in the textile decoration style in which small bits of fine fabric are cut by hand, then dexterously folded and shaped into tiny petals and embroidered on to the fabric to create a variety of patterns. This special appliqué finds limited mention in the repertoire of Indian as well as global appliqué embroidery forms and there is no publication on phool-patti.

A photographic journey, this first publication on phool-patti embroidery, explores its background and scope. A finely illustrated book, Phool-Patti Ka Kaam takes us through the different phool-patti shapes, arrays of designs and materials. It collates experiments with embellishments and innovations on its use, including on different garments and household furnishings, and introduces the artisans from Aligarh.

Phool-Patti Ka Kaam is the story of this embroidery told through glimpses of Saleha Khan’s work with the artisan women and girls from Aligarh during the 1970’s and 1980’s. This first publication on the subject is for those who want to appreciate, learn, promote, explore and experiment with this unique appliqué style. Besides being a useful resource for crafts lovers, this publication is also envisaged to trigger interest among designers, entrepreneurs and policy planners to advance phool-patti’s scope, popularity and possibilities while ensuring due share of economic returns and recognition for its artisans.

All the designs and creative ideas by Saleha Khan in this book can be freely copied, used and adapted to encourage promotion of phool-patti embroidery for advancement of its artisans – particularly marginalized women and girls. However, no part of this publication may be reproduced, or transmitted in any form or by any means, without the prior permission. 

All proceeds from the publication and sale of this book will go to SAFAR - Supporting Action For Advancement & Rights - For Women & Girls living in Uttar Pradesh, India. 

For crafts lovers and readers of this page we are offering a free E-Book version of this >100-page book .  Send you e-mail request  to safarsecretariat@gmail.com for your free copy today ! 

Thanks for your interest in Phool-Patti Applique! 


Sunday, September 20, 2020

 

Innovations in Phool-Patti Ka Kaam
Samrah e' ASRA o' SAFAR

Many readers of this blog have asked me for contact of Phool Patti artisans.  I am sharing information on a recent phool-patti women artisans’ project which is part of the initiative, of preserving and promoting the applique embroidery of Phool-Patti Ka Kaam through supporting design innovation and empowerment of the craftswomen and girls doing this applique embroidery. The objective is to provide opportunity to experiment with new designs and innovative ideas in taking forward the art of Phool-Patti applique embroidery. 

The project is being implemented by ASRA- Aligarh Self Reliance Association For Women in collaboration with SAFAR- Supporting Action for Advancement and Rights of women and girls. The Phool-Patti Collection called "Yaakta" meaning "unique" from this collaboration with include experimentation in design, colors and fusion and adaptation techniques also mentioned in the publication - Phool Patti Ka Kaam: Reviving a Traditional Indian Applique Embroidery. 

Yaakta Collection  

This collection is envisaged to use only the five primary colors- Black, White, Red, Yellow and Blue. The collection with use a play of these "Mondrian" colours. 

Experimenting with Black and White. (Photo ASRA August 2020)

Design Innovations

The collection will innovate with using  different design innovations. One experiment is on the use of calligraphy in Urdu, English and Hindi alphabets in applique to develop monograms, logos in applique work inter-woven with the traditional bel-buta designs . The idea is to provide the client and handicraft lover with a personalized product , different from off the shelf bulk variety. 

"Sabah" - Personalized scarf/dupatta with your name in appliqued in Urdu calligraphy 

Artisan Empowerment  

The Yaakta collection will also factor in the artisan stories and experiences during COVID19 and the impact on the artisans and the art. The core objective of the project is artisan empowerment and income generation. All design innovations are broaden the scope of the art to allow for economic empowerment of the artisans. 

ASRA Artisans at Work 












All the designs in the publication Phool Patti Ka Kaam: Reviving a Traditional Indian applique embroidery can be replicated by the artisans at ASRA. For information and orders contact ASRA directly at:  asraforwomen@gmail.com  


Wednesday, December 19, 2012


The Book is available at: 
Sanatkada: The Craft Shop Lucknow

Many of you have asked regarding availability of this book -It is available at the Sanatkada Craft Shop in Lucknow. http://www.facebook.com/sanatkada

Tuesday, October 30, 2012

Phool-patti artisans from Aligarh

Several thousands of women in different parts of Aligarh, both rural and urban, are involved in phool-patti embroidery. They mostly belong to the poorest and backward communities. My interviews indicate that many of the phool-patti artisans are illiterate or have received only a minimal level of schooling. This is not surprising considering that the overall literacy rate for women in India is around 54%. Further the low literacy rate among Muslims is well documented in many research studies. The data also shows that the mean years of schooling is the lowest for Muslims among all communities in India, and even lower for rural Muslim women. However, there is increasing awareness on the importance of girls education among the artisans. To my question of continuing to transfer phool-patti skills to their daughters, the women clearly respond that they would want their next generation to have better  opportunities for substantive education and employment-  phool-patti work is equated  with a low status and income-and their hope is for something much better for their daughters.

Examples of organization of women workers in handicrafts and other sectors in different parts of India  are suggested to be explored for possible adaptation for phool-patti artisans in Aligarh. Formation of cooperatives would perhaps facilitate standardized remuneration for the embroidery as well as increase access to social security arrangements, such as health insurance schemes and others. The Centre for Continuing Adult Education at AMU, which is already working on skill building with the artisans, or any other non-profit development agency may like to consider support in this critical area.

Tuesday, March 30, 2010

Reviving Phool Patti .....



There is tremendous talent in embroidery skills all over India. Embroidery has enriched the day-to-day lives of the crafts-persons while being a source of livelihood. However, the revival of phool-patti embroidery needs to be twinned with ways to find new and contemporary expression in harmony with the needs and aspirations of future citizens of the world, while valuing the traditional. There is also a need to enhance understanding and provide necessary support, including for professional marketing and adaptation to global demands, as the craft moves into the new era.





The statement from an artisan from Aligarh that she would not like her daughter to do phool-patti embroidery, but move on to other work, is a reminder of the need for strengthening strategies for the well being of the crafts-persons to ensure a sustainable future of the artisan communities. It is hoped that this publication will trigger the interest among designers, entrepreneurs and policy planners to help innovate and evolve phool-patti ka kaam to meet the challenges and ensure up-gradation of skills as well as due share of economic returns and recognition for its artisans.

Thursday, July 9, 2009

Brief History of Phool Patti Ka Kaam

“Phool Patti Ka Kaam” is a traditional embroidery style from North India. This delicate form of appliqué work was originally done using fine cotton fabrics. Phool Patti embroidery dates back to the Mughal period. It is said that in those days this work was embroidered on 'shalukas' worn by the begums of nawabs. The need for embellishment and the hot summer weather are said to have given birth to phool patti embroidery. ‘Patti-ka-kaam’, as it is commonly called, originates from Aligarh district of Uttar Pradesh in North India and is also referred to as “Aligarh work” sometimes. The embroidery form is typical of the state of Uttar Pradesh and the only other city in India where this embroidery is also practiced is Rampur, Uttar Pradesh.



As the name suggests, the embroidery motifs are in the shape of flower petals or leaves. “Phool” means “flower” and “Patti” means “leaf” in the local language spoken in the region. This textile decoration style consists of little bits of fine ‘mull’ fabric which are cut by hand and deftly folded and shaped into tiny petals, leaves and other geometrical and floral shapes. These are then embroidered onto the fabric to create a variety of intricate patterns. The entire embroidery is done by hand including the finish of edging and joining of the seams.



Being a peasant art form, the traditional inspiration is primarily from the natural surroundings. Floral motifs dominate the designs as artisans sought inspiration from the beauty of flowers, leaves and fruits such as rose, lotus, grapes, mango, melon seeds, grains, others. Some dominant motifs are five and three petal flowers, branches and stems with leaves, tendrils, creepers, paisleys, bunches of grapes and others. In keeping with the Islam traditions, human and animal figures are avoided.



Several thousands of women living in different parts of Aligarh are estimated to be involved in Phool Patti work currently. This work has remained the domain of women and girls from entrepreneurs, designers, trainers, patti karigars, workers, seamstresses as well as launderers. Men however have sometimes been involved in marketing and helping their artisan wives also, such as in cutting of the material. The patti karigars or embroiderers in Aligarh are often the poorest women in the city many are illiterate. Income from working with this craft provides a means of employment and wages in the security of their homes for many illiterate women from economically backward communities.



The group of artisans my mother worked with during the 1970s and early 80’s were mostly younger women and girls. Their mothers/guardians had, after due consideration to safety and other issues, given them permission to come to our house to work and learn. Most of them, as I recall, wore veils, usually black in colour called “burkha”. However, as soon as they were in Mamma’s work room they would take off the burkha to cool off the sweat under the fan. Their relationship with my mother went much beyond the work arena. They discussed their family, marriages, relationship problems and others which she listened with empathy and interest and also contributed through her advice and suggestions.



This delicate appliqué embroidery finds limited mention in the repertoire of Indian embroidery forms. Though much is written and researched bout other embroidery forms from India, including from North India such as chikan, a review of literature indicates a paucity of publications or articles on patti work embroidery or its artisans. Currently the Centre for continuing Adult Education at the Aligarh Muslim University, conducts a skills building project working with patti workers and has done a study on the profile including wage earnings of the artisans. The review for this publication could also only track one study at the Department of Home Science of the University which had researched with patti work and its artisans. Perhaps thus, though innovations are being explored by the AMU centre, among embroideries of India, as well as in designer palettes, Patti Ka Kaam has not managed to secure a significant position despite its unique characteristics. However, its thoughtful use can enhance an ensemble and take it from mundane to the extraordinary.



This photographic journey is an attempt to explore the background, examine different phool-patti shapes and their intricate designs, collate the experiments with embellishments and innovations, including on different garments and household linen of phool patti work. Though only a glimpse of Saleha Khan’s work with the women and girls from Aligarh, this publication is for those who might want to appreciate, collect, learn, promote, work or experiment with this special embroidery style of Phool Patti Ka Kaam.